Log inRegister an accountBrowse CSDbHelp & documentationFacts & StatisticsThe forumsAvailable RSS-feeds on CSDbSupport CSDb Commodore 64 Scene Database
  You are not logged in - nap
First Night Together   [2009]

First Night Together Release Date :
27 May 2009

Type :
C64 One-File Demo

User rating:awaiting 8 votes (3 left)   See votestatistics

Credits :
No credits found


SIDs used in this release :
First Night Together(/MUSICIANS/O/Onebitman/Zerozillion/First_Night_Together.sid)

Download :

Look for downloads on external sites:
 Pokefinder.org


User Comment
Submitted by Jammer on 1 June 2009
no drugs dude. they're just... smart ;)
User Comment
Submitted by DeeKay on 1 June 2009
What drugs are y'all on? I want some of that! 8)
User Comment
Submitted by Paul Bearer on 28 May 2009
Here we are alone at last
Face to face with no distractions
Reaching out each of our separate world
Everything happened so fast
What could have been a chain reaction
Who can say where it might be tonight, oh oh, oh

This could be our first night together
Listen to my heart and you`ll know it`s right
Doesn`t it seem there`s a spell falling over us tonight
This could be our first night together
If we only follow our heart`s desire
Waiting like a fire to ignite, could be our first night tonight

There`s a look you`ve got in your eyes
All a glow and so inviting
Telling me you`re watching my every move
Why should we wait for a while
When your touch is so exciting
Full of fire burning beyond control, oh, oh, oh

This could be our first night together
Listen to my heart and you`ll know it`s right
Doesn`t it seem there`s a spell falling over us tonight
This could be our first night together
If we only follow our heart`s desire
Waiting like a fire to ignite, could be our first night tonight

First night together !
Listen to my heart and you`ll know it`s right
Doesn`t it seem there`s a spell falling over us tonight
This could be our first night together
If we only follow our heart`s desire
Waiting like a fire to ignite, could be our first night tonight!
User Comment
Submitted by PAL on 28 May 2009
I think it is cool, but please change colour in the love spot!
User Comment
Submitted by Raffox|HF on 27 May 2009
harharhar... nice butt. Tune is hmmm, ok.
User Comment
Submitted by saehn on 27 May 2009
How can you all be so obtuse? This exquisitely crafted visual syllogism vis-a-vis pixel meme clearly expresses a delineation between the medieval doctrine of "jus primae noctis" and modern patriarchal society whilst simultaneously exposing the class struggle between the machine mind oligarchy and the feminine duality present in us all. I say, bravo!
User Comment
Submitted by PAL on 27 May 2009
Cool arse on that chick... but for gods sake, it is not sexy when you show her pussy that really and clearly are in the start of a heavy 7 day period... it is red and all messy, god damn it... Atleast use dark-brown in there... Anyone? Anyone, a million for a tampax!

PAL
User Comment
Submitted by Linus on 27 May 2009
Stainless, I do see your point now.

Back on topic:

There is nothing ascetic about all this, nothing which suggests spirituality or duty - everything attests to an abundant and triumphant existence, in which everything is held to be sacred, regardless of whether it is good or evil.
User Comment
Submitted by Moloch on 27 May 2009
PIXEL ASS! YAY!
User Comment
Submitted by 1BM on 27 May 2009
at some point i decided, i don't want to rip off someone elses code to have a scroller, as i was to lazy to figure it out myself (yesh, shoot the noob). releasing separate was never an option, as both the song and the car come from the series "knight rider", and the depicted situation is a direct interpretation of the feelings that are expressed in the original lyrics.
User Comment
Submitted by FATFrost on 27 May 2009
i was clubbed by a sid.... ;)
User Comment
Submitted by chatGPZ on 27 May 2009
i dont agree - it would have been better to add a scroller =)
User Comment
Submitted by Stainless Steel on 27 May 2009
Linus, You've got it all wrong.
An abundance of deappropriations concerning not discourse, but prediscourse exist. The subject is contextualised so that it includes narrativity as a paradox. It's really that simple.
User Comment
Submitted by Mr. SID on 27 May 2009
Nothing happens, boring... ;)
Honestly, might have been better to release pic and tune separately.
User Comment
Submitted by Linus on 27 May 2009
Sorry guys, but it is not solely the case that pleasant and agreeable images are experienced by man with such a degree of universal comprehension: It is also true, that the whole divine comedy of life, including club style sids, passes before his eyes - not only in shadowplay, since he himself lives and suffers through these scenes - but still he retains a fleeting sense of illusion.
User Comment
Submitted by Stainless Steel on 27 May 2009
Touché
User Comment
Submitted by jailbird on 27 May 2009
Right, but consider the following: “Sexual identity is part of the economy of narrativity,” says Foucault; however, according to Prinn, it is not so much sexual identity that is part of the economy of narrativity, but rather the paradigm, and eventually the dialectic, of sexual identity. Therefore, if Marxist capitalism holds, we have to choose between surrealism and neodialectic discourse.

I rest my case.
User Comment
Submitted by Stainless Steel on 27 May 2009
Seriously guys, it could be said that several narratives concerning Lacanist obscurity may be discovered. Dahmus states that the works of Joyce are reminiscent of Cage.

However, many theories concerning a self-falsifying reality exist. Sartre suggests the use of textual libertarianism to read culture. Dont you agree ?

User Comment
Submitted by Intensity on 27 May 2009
WTF you are talking about. Nationalism blablbla.

In my expression of a patriarchist I would stand experessivley ten exact meters behind the precious man of delight, afterwards run in a stimulous speed, with the exact lacking of clothes, towards the man, and then contamuniously run into his precious point of love, while I hope, there is no lipstick drawn and painted technically around that according point.
User Comment
Submitted by FATFrost on 27 May 2009
...hmmm, but is it a man or a w0man? i don't know whether to get excited or not... bah!!!
User Comment
Submitted by Linus on 27 May 2009
Fair enough, but please guys, keep in mind that the seductive illusion of dream worlds, which every man is an accomplished artist in creating, is the precondition of any kind of visual art and of an important body of poetry. We take great pleasure in the proximity of form, where all shapes speak to us, and nothing is listless or unnecessary. Nevertheless, even when this dream reality is manifested before us at the greatest pitch of intensity, we hold onto the impression, flitting in and out of consciousness, that it is still an illusion.
User Comment
Submitted by jailbird on 27 May 2009
@Stainless Steel: still, the picture promotes the use of neocultural narrative to analyse and read the automotive, sexist society. The premise of patriarchialist discourse holds that the media is fundamentally dead, but only if neocultural narrative is invalid; otherwise, we can assume that reality must come from the collective unconscious. Just look at the opened outlines.
User Comment
Submitted by Stainless Steel on 27 May 2009
JB: Indeed, but If one examines textual semioticism, one is faced with a choice: either accept
patriarchialist theory or conclude that class has significance, given that
truth is distinct from art.
User Comment
Submitted by jailbird on 27 May 2009
@Stainless Steel: agreed, but the characteristic theme of Zerozillion’s analysis of constructive discourse is the bridge between sexual identity and art. It could be said that the primary theme of the works of Zerozillion is a postmaterialist paradox. Debord’s critique of textual feminism holds that reality serves to reinforce sexism, but only if Sartreist existentialism is valid; otherwise, we can assume that the task of the graphician is deconstruction.
User Comment
Submitted by Stainless Steel on 27 May 2009
The premise of cultural deconstructivism holds that consciousness serves to
reinforce class divisions. It could be said that Derrida suggests the use of
modernism to attack outdated, elitist perceptions of art.
User Comment
Submitted by jailbird on 27 May 2009
If one examines semantic nationalism, one is faced with a choice: either accept presemantic capitalism or conclude that the collective is capable of truth. Dahmus states that we have to choose between neodialectic theory and cultural pretextual theory. In a sense, the example of semantic nationalism prevalent in Joyce’s Dubliners is also evident in Ulysses.

“Narrativity is responsible for sexism,” says Bataille. A number of narratives concerning the genre, and eventually the futility, of structuralist sexual identity may be revealed. However, presemantic capitalism suggests that the goal of the poet is deconstruction, given that Lacan’s model of semantic nationalism is invalid.
User Comment
Submitted by Scout on 27 May 2009
*facepalm*
User Comment
Submitted by Jammer on 27 May 2009
first night trio - panty babe, david hasselhoff and k.i.t.t. :D
Search CSDb
Advanced
Navigate
Prev - Random - Next
Detailed Info
· Summaries
· User Comments (28)
· Production Notes
Fun Stuff
· Goofs
· Hidden Parts
· Trivia
Forum
· Discuss this release
Support CSDb
Help keep CSDb running:



Funding status:




About this site:
CSDb (Commodore 64 Scene Database) is a website which goal is to gather as much information and material about the scene around the commodore 64 computer - the worlds most popular home computer throughout time. Here you can find almost anything which was ever made for the commodore 64, and more is being added every day. As this website is scene related, you can mostly find demos, music and graphics made by the people who made the scene (the sceners), but you can also find a lot of the old classic games here. Try out the search box in the top right corner, or check out the CSDb main page for the latest additions.
Home - Disclaimer
Copyright © No Name 2001-2024
Page generated in: 0.088 sec.