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2018-01-27 03:46

Stinsen

Registered: Feb 2012
Posts: 71

Multi timberal SIDs

I'm curious of the best examples where the composers really overcome the limitation of three channels in the composition. Two examples I come to think of:

Powerhouse
Listen and Learn

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2018-01-29 13:50

lft

Registered: Jul 2007
Posts: 369

Shameless plug: Intertwined, the polyphony starts to go crazy around 1:53.

2018-01-29 18:49

Digger

Registered: Mar 2005
Posts: 421

These :)

http://hvsc.perff.dk/MUSICIANS/T/Tjelta_Geir/Artillery_hidden_p..
(and it's digi echo version http://hvsc.perff.dk/MUSICIANS/T/Tjelta_Geir/Artillery_credits...)

http://hvsc.perff.dk/MUSICIANS/H/Holt_Hein/Bootsys_Club_Tonic_8..

http://hvsc.perff.dk/MUSICIANS/W/Wizard/OtherSIDe.sid

2018-01-29 18:50

Linus

Registered: Jun 2004
Posts: 638

Quote:

I thought the lead was still in there as I know now it was the root of the chord.

Or the upper extension ;)

Ok, makes sense from that point of view. I was indeed more thinking Dug some graves ... and what not.

Jeez, Stinsen and his vague questions, eh? :D

2018-01-29 21:29

Hate Bush

Registered: Jul 2002
Posts: 453

i'm afraid i don't understand the question. do you mean "which tunes achieved the richest perceived polyphony while avoiding putting all chord notes into arpeggios"? that would be a hard nut to crack, one needs highly trained ears to decide (i'm out) :|

2018-01-30 11:29

Jammer

Registered: Nov 2002
Posts: 1289

That Artillery tune <3 <3 <3 Especially how arpeggioes overlap :)

2018-01-31 19:32

Rastah Bar

Registered: Oct 2012
Posts: 336

http://hvsc.perff.dk/MUSICIANS/T/Tel_Jeroen/S-Express.sid

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