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X-Raffi
Registered: Jan 2002 Posts: 24 |
50Cent&Timberlake / AYO TECHNOLOGY
Hi Guys ...
Do you ever hear that new Song from 50Cent&Timberlake / AYO TECHNOLOGY ?
I really think that they have used a C-64 & Amiga to make that Backround Noices.
Let me know what you Think about that Tune.
I can upp it if there is a need for it.
Regards ^.^ |
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... 77 posts hidden. Click here to view all posts.... |
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fade Account closed
Registered: Mar 2002 Posts: 290 |
Randall: are you kidding me? You know what makes a big hit? Cash. Marketing and some slutbags up front to get the masses wanking over your pissant melodies. If you want to make a big hit go learn up on mind control.. because essentially what you are going for is getting something stuck in someone's head. Pay the radio stations to play your "hit" and be seen in all the right places. Save yourself the time and buy a geetar and dye your hair black and purple.
It has nothing to do with talent and everything to do with who you know/blow. Yes i am speaking from experience, many moons ago i headlined a club with a dj playing before me who wanted to be a big "star".. it took him almost a decade, mainstream acceptance of dance music and a 40 year old coke whore to achieve it. His name was andy van and got famous as Madison Avenue. Whoop de fucking doo.. his ploy was girl power lyrics and it was just another flash in the pan and so was their relationship
Good producers are the ones who arent famous, they're the ones behind the mixing desk, they are the ones making the hits. thats why you can find "sound engineer" and "produced" credits on cd's. time after time i saw first hand some poser buying studio time and humming a melody to the booth owners and they were punching it down for them. Yes it got released by a label.
It takes nothing to have a few thousand followers, here;s a few examples.. Jeroen Tel, Kraven/future crew, prodigy
Timbaland is famous because he had to tag along in the filmclips.. oooh pay attention to me, look at meeeeeee.. imma maed diz muzak.. he isnt marketable as the beeftruck that he is.. defend him all you want, he is a fucking stooge and deserves to be pack raped by a million rabid dogs. |
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The Shadow
Registered: Oct 2007 Posts: 304 |
For sure! Justin Timberland is not a great talent, he just has a deep throat! There are plenty of people who are poor and sing "doo-wops" on street corners, with much more talent than him. You could pluck any one of these people off the street, put nice clothes on them and promote them just as much and they would be able to throw out just as many pop hits. In one hundred years, people will not remember him. Justin Who? In one hundred years though, people will remember Mozart, Beethoven and others who have real talent. |
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Hate Bush
Registered: Jul 2002 Posts: 465 |
right, delude yourself further. anyone could be like timbaland, anyone could be timberlake, provided one has some cash to spare. develop some modesty, please. it ain't as easy as it seems. it does require skills. the world would be full of popstars otherwise. |
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SIDWAVE Account closed
Registered: Apr 2002 Posts: 2238 |
Excuse me :-) formula music is easy peasy. it's no trouble to make a poptune, it's a money issue to MARKET IT! real composers make classical orchestra anyway, for musicals etc. any one of those could be a popstar in notime. |
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fade Account closed
Registered: Mar 2002 Posts: 290 |
Quote: right, delude yourself further. anyone could be like timbaland, anyone could be timberlake, provided one has some cash to spare. develop some modesty, please. it ain't as easy as it seems. it does require skills. the world would be full of popstars otherwise.
anyone can be famous, reality shows like big brother or fear factor are testament to that. |
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Britelite
Registered: Dec 2001 Posts: 51 |
Quote: Excuse me :-) formula music is easy peasy. it's no trouble to make a poptune, it's a money issue to MARKET IT! real composers make classical orchestra anyway, for musicals etc. any one of those could be a popstar in notime.
Real composers make classical orchestra? That's a bullshit-statement and you know it. Why should "classical" music be put up on a pedestal compared to all other forms of music, and thus be the kind of music that "real" composers do? |
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SIDWAVE Account closed
Registered: Apr 2002 Posts: 2238 |
It's very difficult to explain this.. or maybe not.. hmmm. say you have a note line of ancbdhey64jdhur7, this is classical composition. now the pop version of it is only ancb, and then repeat this over and over. what is most composition ? pop is a copy of a copy, NOT composition! |
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Britelite
Registered: Dec 2001 Posts: 51 |
Quote: It's very difficult to explain this.. or maybe not.. hmmm. say you have a note line of ancbdhey64jdhur7, this is classical composition. now the pop version of it is only ancb, and then repeat this over and over. what is most composition ? pop is a copy of a copy, NOT composition!
What the hell are you talking about? You're surely not saying that popmusic (or any other non-classical form of music) doesn't consist of compositions, but instead copies, because they use the same scales and notes as classical music?
(Edit: removed an unnecessary comment) |
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Linus
Registered: Jun 2004 Posts: 639 |
Huh?
Are you trying to say something qualifies as composition just because one uses e.g. Em7/9 instead of e.g Em or something?
How to put this politely ... I strongly disagree :)
I am outta here now, trying to define what counts as composition and what doesn't leads to nowhere. |
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SIDWAVE Account closed
Registered: Apr 2002 Posts: 2238 |
its complicated. i have trouble to explain what i mean. |
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