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X-Raffi
Registered: Jan 2002
Posts: 24 |
50Cent&Timberlake / AYO TECHNOLOGY
Hi Guys ...
Do you ever hear that new Song from 50Cent&Timberlake / AYO TECHNOLOGY ?
I really think that they have used a C-64 & Amiga to make that Backround Noices.
Let me know what you Think about that Tune.
I can upp it if there is a need for it.
Regards ^.^ |
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aeeben
Registered: May 2002
Posts: 44 |
Check the old Amiga module "Green Marlboro" by Bruno & Major Tom |
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SIDWAVE
Account closed
Registered: Apr 2002
Posts: 2238 |
Weeeee, it's time to sue Timbaland again!! |
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chancer
Registered: Apr 2003
Posts: 347 |
regardless of what happens he is getting outted for his lack of talent. I find it odd people defend him, scary there's so mindless sheep about.
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Hate Bush
Registered: Jul 2002
Posts: 465 |
Quote: regardless of what happens he is getting outted for his lack of talent. I find it odd people defend him, scary there's so mindless sheep about.
don't let your individual musical taste fool you, no matter how precious it seems to you. this guy had (and still has) a REAL impact and influence on the pop music in general.
@Linus: you're right, it was most probably deliberate. |
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Akira
Registered: Oct 2003
Posts: 52 |
So, who stole who first?
Both tracks are credited 2008.
Timbalame and Crystal Castles both share the same stupid arrogance and thief abilities!
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fade
Account closed
Registered: Mar 2002
Posts: 290 |
you dont need talent to make pop music, anyone who has read klf's "the manual" will agree.
The book basically tells you how they made a number 1 hit without actually being good at anything. it wasnt any hit either, knocked Wham off the highest selling record ever and stayed at the top for like 3000 lightyears or something.
The guys a mutt and i'd probably urinate on his front door if i had half a chance. Then again i'd probably urinate on anyone's front door given half a chance :) |
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chatGPZ
Registered: Dec 2001
Posts: 11386 |
the manual rules indeed :) |
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chancer
Registered: Apr 2003
Posts: 347 |
Randall, it sadly boils down to money for the labels who turn a blind eye to such things. Just make us money, dammnit.. pay the shareholders..
He has made an impact in the past for sure, BUT he has soiled it with these actions. Having respect for others work is important, many of us could have been lifting big chunks of sid sounds for years, 89 + but thought better of it.
With what he's done, its calculated (anyone who isn't from the states is fair game for them.. notice how they research that?)
A friends track was sampled BIG TIME,like what happened here BUT the person in question was MCPS registered, the label s*** themselves and paid him off as they realised he could sue. Joke was what he accepted as payment was nothing compared to what the sales were. If he held his nerve it would have been a lot better for him.
I sample, but heck not someone's whole tune, just for profits sake. Because of swapping demo's with a producer, that's how I got into making music.
people will buy his s*** simply because it's had a lot of money chucked at it, image based..etc. while others will not be so well known, or be brought in by majors BUT with a far lower budget (ties their hands). That's business I guess and people not bothering to explore music, that isn't fed to them.
the KLF book, interesting read. They've been on tv a few times showing their formula, which they couldn't get away with due to sample clearance.
I always wonder was it real money that they burned all them years ago.
As for how many more tunes that have been used, it would be interesting if a group action of things could take it further. Or some sort of proper body like MCPS but for demo musicians is formed.
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Akira
Registered: Oct 2003
Posts: 52 |
Check out what we've beendealing with for the past days:
http://createdigitalmusic.com/2008/05/05/chiptune-music-theft-c..
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fade
Account closed
Registered: Mar 2002
Posts: 290 |
Chancer: there's no room in the world for respect and such things. blows dog for sure, but i digress.. :)
sampling is common place, hell whole musical styles are based around it, jungle for example is derived from a b-side drum solo from the winstons in 1969 or something. you can hear it in nwa's straight outta compton.
Hell, i've taken .mod's over the years and replaced samples, restructered music etc etc, i've played them live but would never try to make money off it. Why make money from something someone does for free?
As far as i know about the klf thing, it was sponsered money and/or old commisioned bank notes. They could have simply put a large chunk in the stockmarket for a few days and reaped the benefits and burnt it. I never really looked into it.
The way i see the demoscene, it's much like the mafia. we seek digital perfection, not money. we all look out for each other in some way and show respect to those above and before us. These fuckers pissing on other sceners are essentially pissing on us all. disrespect should be dealt with swiftly. Then again, i'm in the "construction" business :) |
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